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Subway Love

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Subway Love

Subway Love

CHOOSE BETWEEN A SIGNED COPY IN FINE CONDITION OR AN UNSIGNED ONE STILL IN ORIGINAL SHRINKWRAP

First edition of Subway Love by Nobuyoshi Araki (2005)

First impression

Large format paperback

Please note the signed copy is in fine condition and is signed 'Nobuyoshi Araki' with an additional drawing by Araki to blank end page. No markings. Pages clean, binding firm. Dust jacket in removable protective sleeve.

The unsigned copy is unopened, in orginal shrinkwrap

About Subway Love

From 1963 until 1972, the young Nobuyoshi Araki obsessively photographed his fellow passengers during his daily commute on the Tokyo subway. Yawning businessmen, women dozing with their legs splayed, kids who mugged for the camera. Araki captured them all candidly on film, without using a viewfinder. Now, over thirty years later, Subway Love brings back to life these vital and various prisoners crammed into their subway cars. Included is an interview with Araki, who explains the essence of documentary: to gaze unflinchingly at a thing for a long time.

 

Select Signature + Condition
From $34.05

Original: $113.49

-70%
Subway Love

$113.49

$34.05

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Description

CHOOSE BETWEEN A SIGNED COPY IN FINE CONDITION OR AN UNSIGNED ONE STILL IN ORIGINAL SHRINKWRAP

First edition of Subway Love by Nobuyoshi Araki (2005)

First impression

Large format paperback

Please note the signed copy is in fine condition and is signed 'Nobuyoshi Araki' with an additional drawing by Araki to blank end page. No markings. Pages clean, binding firm. Dust jacket in removable protective sleeve.

The unsigned copy is unopened, in orginal shrinkwrap

About Subway Love

From 1963 until 1972, the young Nobuyoshi Araki obsessively photographed his fellow passengers during his daily commute on the Tokyo subway. Yawning businessmen, women dozing with their legs splayed, kids who mugged for the camera. Araki captured them all candidly on film, without using a viewfinder. Now, over thirty years later, Subway Love brings back to life these vital and various prisoners crammed into their subway cars. Included is an interview with Araki, who explains the essence of documentary: to gaze unflinchingly at a thing for a long time.